[book]Closer: Performance, Technologies, Phenomenology. Cambridge MA:The MIT Press, 2007. view
[articles and essays]Conspiracy Archives – a process archive of an archival process, by Susan Kozel, Margrét Sara Guðjónsdóttir, Jeannette Ginslov and Keith Lim. Artistic Doctorate: Movement and Choreographic Practices, eds. Vida Midgelow, Rebecca Hilton & Jane Bacon. TEAK publications Helsinki, forthcoming 2019.Performing Phenomenology: The Work of Choreographer Margrét Sara Guðjónsdóttir. Phenomenology as Performative Exercise, eds. Lucilla Guidi & Thomas Rentsch, for the Studies in Contemporary Phenomenology series, Brill Publishers, forthcoming 2019.Margrét Sara Guðjónsdóttir’s Full Drop into the Body: A Conversation with Susan Kozel and Public Discussion, by Margrét Sara Guðjónsdóttir & Susan Kozel. Energetic forces as aesthetic interventions, ed. Sabine Huschka. Bielefeld: Transcript Verlag, forthcoming 2019.
The Weird Giggle: Attending to Affect in Virtual Reality, by Susan Kozel, Ruth Gibson & Bruno Martelli. Transformations, Journal of Media, Culture and Technology, Special Issue on Technoaffect: Bodies, Machines, Media Issue 31, 2018. pdf
Visual Materiality: Crafting a New Viscosity, by Maria Engberg, Susan Kozel & Henrik Svarrer Larsen. Proceedings of the Design Research Society 2018 Conference, DRS2018 Limerick, Ireland, Vol.4, 1762-1774. pdf
The Bronze Key: Performing Data Encryption, by Susan Kozel, Ruth Gibson & Bruno Martelli. Proceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction (TEI '18). ACM, New York, NY, USA, 549-554. doi: 10.1145/3173225.3173306 pdf
The Bronze Key: Performing and Materialising a Cypher System, by Susan Kozel, Ruth Gibson & Bruno Martelli. MOCO 2018 Practice Works, The 5th International Conference on Movement and Computing, June 2018, Genoa, Italy. pdf
Devices of Existence: Contact Improvisation, Mobile Performances, and Dancing through Twitter. Improvisation and Social Aesthetics, eds. Georgina Born, Eric Lewis & Will Straw. Durham: Duke University Press 2017, 268-287. pdf
Performing Encryption, in Performing the Digital, eds. Martina Leeker, Imanuel Shipper & Timon Beyes. Bielefeld: Transcript Verlag 2017, 117-134. pdf
The Archival Body: Re-Enactments, Affective Doubling and Surrogacy, in The New Human: Exploring what it means to be human in the Anthropocene epoch, ed. Bo Reimer. Medea, Malmö University 2017. Published on medium.com view
Postcolonial Design Interventions: Mixed Reality Design for Revealing Histories of Slavery and their Legacies in Copenhagen, by Maria Engberg, Susan Kozel & Temi Odumosu. Nordes Design Conference, Oslo 2017. pdf
Re-Embodiment: new strategies for teaching Embodied Interaction. Proceedings for CUMULUS design conference, Kolding 2017, 107-116. pdf
Why Openness? Preface to edited collection Openness by the Living Archives Research Group 2017, 5-11. pdf
From Openness to Encryption. The Politics, Practices and Poetics of Openness, eds Susan Kozel & Temi Odumosu. The Living Archives Project, Malmö University 2016. Published on medium.com pdf
Concrete Ambiguities. Blog post for The Error Network, research network funded by the UK AHRC 2016. view
Process Phenomenologies. Modes of Embodiment: The Poetics of Phenomenology in Performance Studies, eds. Eirini Nedelkopoulou, Jon Foley Sherman & Maaike Bleeker. New York: Routledge, 2015, 55-74. pdf
Somatic Materialism or “Is it possible to do a phenomenology of affect?” Site Journal of Art, Philosophy and Culture, ed. Sven-Olov Wallenstein Issue 33, 2013, 153-167. pdfDancing with Twitter, by Susan Kozel with Mia Keinänen & Leena Rouhiainen. Digital Storytelling and Mobile Media: Narrative Practices with Locative Technologies, ed. Jason Farman. London and New York: Routledge, 2013, 79-94. pdf
Relational Choreographies. Yearbook for Artistic Research of the Swedish National Research Council, Stockholm, 2013.AffeXity: Performing Affect using Augmented Reality. Fibreculture Journal Issue 21: Exploring affect in interaction design, interaction-based art and digital art eds. Jonas Fritsch, Thomas Markussen & Andrew Murphie 2012, 72-96. pdfSinews of Ubiquity: A Corporeal Ethics for Ubiquitous Computing. Throughout: Art and Culture Emerging with Ubiquitous Computing, ed. Ulrik Ekman. Cambridge MA: The MIT Press, 2012.Embodying the Sonic Invisible: Sketching a Corporeal Ontology of Musical Interaction. Bodily Expression in Electronic Music: Perspectives on a Reclaimed Performativity, eds. Deniz Peters & Andreas Dorschel. London and New York: Routledge, 2012.Bausch and Phenomenology. The Pina Bausch Sourcebook, ed. Royd Climenhaga. London and New York: Routledge, 2012. (Originally published 1993/4)Mobile Social Choreographies: Choreographic insight as a basis for research into mobile networked communications. The International Journal of Performance and Digital Media, Vol 6, Issue 2, October 2010, 137-150.The Virtual and the Physical: A Phenomenological Approach to Performance Research. The Routledge Companion to Research in the Arts, eds. Michael Biggs & Henrik Karlsson. London and New York: Routledge 2010, 204-222. pdfIntuitive Improvisation: A phenomenological Method for Dance Experimentation with Mobile Digital Media. Studia Philosophia, Universitatis Babes-Bolyai volume 3, 2010, 71-80.Social Choreographies. Close Encounters – Artists on artistic research. Stockholm: University College of Dance 2008, 101-113.Embodied imagination: a hybrid method of designing for intimacy, by Lone Koefoed Hansen & Susan Kozel. Digital Creativity Vol 18, No 4, 2007, 207-220. doi: 10.1080/14626260701743200 pdfInteractive, Phenomenology and Virtual/Virtuality, three contributions to the Lexicon issue of Performance Research Journal 11.3, 2007, 71-75, 91-94, 136-139.Revealing Practices: Heidegger's techne interpreted through performance in responsive systems in Performance Research Journal 10.4, 2006, 33-44.